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Literature — Drama
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How to read a play
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Molike’s Tartuffe (or, don’t criticize religion)
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The documentary dramas of Peter Weiss
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Eugene O’Neill’s experimentation with theatrical devices and dramatic techniques (i.e., The Great God Brown, Lazarus Laughed, and Days without End)
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Archibald MacLeish’s LB., compared to its source, The Book of Job from the Bible
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Jean Cocteau’s use of the Oedipus legend in The Infernal Machine, as compared to its use by Sophocles
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Existentialism in the dramas of Jean-Paul Sartre
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Jean Genet’s use of the theme that nothing has meaning without its opposite: law and crime, religion and sin, love and hate
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Analyze Tennessee Williams’s unique ability to create interesting characters who are caught in critical or violent situations
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Sir Toby Belch of Shakespeare’s Twelfth Night: An individual or a stereotype?
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